The peplum in Spain is mainly carried out in co-production with other countries such as Italy. In t

The study of the Classical Tradition in film, called Classical violympic Reception Studies on Cinema, alive and well among our researchers as evidenced by the diverse works that are emerging in recent years, among them those by Alberto Prieto violympic collected in books The filmed Antiquity (2004) and The Age through Film (2011).
This book is specifically dedicated to him as a tribute. It presents a set of nine contributions that the peculiar relationship between cinema violympic and Ancient History (also archeology) violympic in which the cinema shows a certain image of ancient civilizations, that becomes popular is present and that also can be used to serve certain political ideas according to the historical circumstances in which the films were produced.
Alberto Prieto himself violympic up in his work Dictatorship or Democracy: violympic Antigone (pp. 15-44) the various versions of the work in theater and film. Rafael L analyzes of Spain joined the service violympic at present. How ideas influence of this film recreation of the past (45-76) violympic some cases of political uses in the film Roman Italy in the early s. XX, fascism, violympic the Cold War or the Soviet influence in Romania. In the same vein is the work of Francisco Gracia Alonso Archaeology, cinema and fascism (77-108). César Fornis Cowboy on the Spartans (large and small) screen (109-120) exhibits the cinematic image of these through The Lion of Sparta, 300 and other smaller productions. Since the volume of Ancient History speaks not only confined to Greece and Rome, accommodates work Jordi Vidal Palomino Assyrian Babylon of David. W. Griffith (121-132). In Women of Alexander the Great in the film Claudia Serrano Zaragoza (133-154) reviews the cinematic image of Olympia, Cleopatra Eurydice, Roxana, and Sisigambis Estatira and Barsine. In Nouvelle peplum? New trends in film about ancient Borja Antela-Bernárdez (155-168) reflects on the new trends in the representation of antiquity in movies from recent productions such as Gladiator, 300 and Agora. violympic Particularly in the latter revolve around the past two volume work: Agora, strength and power. Application of film theories in the study of the classical tradition of Stefano Moschini (169-180) and words and silences women in antiquity. Intersubjectivity and discrimination in Agora Hypatia of Marin Marina Hoyos (181-218).
Goodnight Prof. Lillo. I am a student of the UCM and for certain subject, I have intended to do work on the peplum in Spain. I have looked at some literature but usually nothing is said. Could you recommend any item or work for a bit and guide me to do it? I appreciate that. Greetings December 4, 2013 12:00
The peplum in Spain is mainly carried out in co-production with other countries such as Italy. In this presentation you will see some of the titles that had Spanish participation. http://prezi.com/vg1smhcife4y/el-peplum-en-espana/ For information on these films you can start with the book of Rafael of Spain, screen epic, T & B editors. The "Hispanic" peplum is Cantabrians Paul Naschy. In addition, although not correspond to the golden age of peplum, for me the TV series Viriatus gives the performance of this type of production. December 5, 2013 1:08
Thank you very much for your help Prof. Lillo. It is an honor that you have answered me, and I know his work for some time and shared passion for cinema and the classical world. As a student of Classical Philology did not want to miss the opportunity violympic to undertake a work of this type and you have been very helpful to me. I would ask: How does the new Spanish television productions Roman theme? Do you think that favor greater interest in the classical world in our country? Nice talking with you. Greetings violympic December violympic 5, 2013 2:14
Glad to hear this information helpful. Regarding your questions, Viriato seasons and its sequel in Rome seem somewhat loose regarding historical credibility and also in the script. However, the public would have liked as they are entertaining. Surely many have wondered who he really Viriato. violympic I myself wrote an article about it in National Geographic History. I do not think we're going to see a lot of "historical" violympic quality 300 (second part) or in the movies that are coming in 2014 on Pompeii and Hercules, but always to serve the classics in the public remain in effect. For me the best of the past has been Alexander O. Stone generally misunderstood. December 5, 2013 9:19