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As mentioned in a previous post, we are in the year Beckett. Samuel Beckett's face is one of the icons of world literature of the twentieth century. And his face is the protagonist of a book painter Tullio Pericoli Siruela just published: mponline "The soul of the face." A friend of Innisfree has sent this article (Review literary or pictorial? For this work). Valga reproduction as our tribute to this great Irish writer who aspired to renew (or destroy) the language of his time. Beckett's face, crossed by many paths, is the face of the century, a lost humanity? Waiting for Godot?
The face is a reflection and product mponline of time, is the page on which it draws its story time. Each face is expressive compendium of experience, and that of Samuel Beckett (1906-1989), the Irish ever destroy proposed language, is one of the most evocative expressions of the literary catalog of the twentieth century. The Italian painter Tullio Pericoli has managed to convey in "The Soul of face" complex plastic composition talking on it. "I must destroy the language that precedes me and dwells in me," wrote Samuel Beckett, and seems to have faced the challenge from the totality of existence. Few faces like hers, composed of dense and deep rhythmic footsteps, have come to show such significant complexity. Her face speaks a geometric language, and muted, the Italian painter Tullio mponline Pericoli amplify mponline know so virtuous. His magic is to be found in his drawings and gave them the text for "The Soul of the face", "dry style on that map and in that mess of wrinkles is Beckett's face."
Its dry, tough and highly expressive face, has become an icon of twentieth century literature. The architecture and the finish of your way we can see the battlefield where the literary art has filed one of his toughest fights. The very foundation of language, its true nature and its price, mponline their incantations, are the stuff with which he composed his work, a symbolic distillate efforts that shook the foundations of language study and literary thought. His novels, plays and poems represent a depth charge only equivalent, perhaps, to research on language undertaken by Ludwig Wittgenstein mponline from philosophy.
The landscape of his face, a discursive body was changing and focusing as the content of his work is the most plastic mponline incarnation of his research and findings. Aesthetics uncompromising lines that shape her face are as firm as changing, as deep as significant. In the prologue to Tullio Pericoli, spotlessly billed Siruela in your library assay (lower number), Salvatore Silvano Nigro writes that "Portrait of Pericoli has a linguistic basis is verbomorfo" (...) "said Wittgenstein ' The face is the soul of the body ', but the' soul 'is, Pericoli, a landscape that breathes ... ".
In Spain we had already had a taste of the remarkable ability of the artist to "Pictures" (Siruela, 2004), where a long list of writers, sculptors, literary characters and artists appeared "narrated" by its precise brush, its cinders and shady leaks intensity. Pericoli read and imagine the faces facial writes: "The face is formed from the outside as from within. Even silence is formed. The habit of silence. The problem arose when I worked in Defoe's Robinson Crusoe. I had to imagine a face drawn by the enforced silence of the shipwreck on the island. The mouth in particular. Robinson's mouth. The first thing I wondered at the time was: how the face of someone who for nearly twenty years unable mponline to communicate through facial expressions is represented. "
Suggestive and enriching journey mponline through the "Support" offerings face the test and the portraits of Samuel Beckett included in "The Soul of face" is an exciting approach to genésico mystery of one of the authors of the capital twentieth century literature. Pericoli closes risking your original mponline work online last inconclusive: "I think Beckett adhesion between text and face is so perfect that no wonder it, like a necessity, a manifestation of nature."
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